PmUw6 @"DATA.APP;@O&Y@P@ @P BZ@NV*((R,*fx42+Remove specifics and convert to ambiguitiesDon't be frightened of cliches%What is the reality of the situation?)Are there sections? Consider transitionsTurn it upside downThink of the radioAAllow an easement (an easement is the abandonment of a stricture)Simple subtraction'Go slowly all the way round the outsideA line has two sidesTMake an exhaustive list of everything you might do and do the last thing on the listInto the impossible1Ask people to work against their better judgement:Take away the elements in order of apparent non-importanceInfinitesimal gradationsChange instrument rolesA:b.6D@$.(6""Do the words need changing? Ask your bodyWater/Make a sudden, destructive unpredictable actionConsult other sourcesUse an unacceptable color Humanize something free of error Use filtersFill every beat with somethingDiscard an axiomWhat wouldn't you do?Decorate, decorateBBalance the consistency principle with the inconsistency principleListen to the quiet voiceIs it finished?Put in earplugsA(8"@@2H"vJ*:2Give the game awayAbandon normal instrumentsUse fewer notesRepetition is a form of changeGive way to your worst impulseReverseTrust in the you of now"What would your closest friend do?Distorting time9Make a blank valuable by putting it in an exquisite frame Ghost echoes#You can only make one dot at a time Just carry on(Organic) machineryThe inconsistency principleDon't break the silence@F:!From nothing to more than nothingBe less critical more oftena(C) Original copyright for most of these Oblique Strategies lies with Brian Eno and Peter Schmidt)@  .127D@Table1Field 1 t da@OO'! 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